General Film News
Re: General Film News
*Holdo.
Shit film, though.
Shit film, though.
Re: General Film News
I'm ok with Force-facetime, Luke/Obi-wan rock it and Obi was dead. Force Projection is a thing. It's fine.
For Luke to do it on a mass scale to everyone on another planet just demonstrates his ability and the effort involved.
I do agree with Mantis, I would rather have seen risks taken. Lets not beat around the bush, both TFA and TLJ are new characters wrapped in the storys of ANH and TESB. For the love of fucking god Hollywood, bring back originality.
However, claiming that the Prequels are better than anything is pushing it
For Luke to do it on a mass scale to everyone on another planet just demonstrates his ability and the effort involved.
I do agree with Mantis, I would rather have seen risks taken. Lets not beat around the bush, both TFA and TLJ are new characters wrapped in the storys of ANH and TESB. For the love of fucking god Hollywood, bring back originality.
However, claiming that the Prequels are better than anything is pushing it
"Religion, shit it" - Stephen Fry
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Re: General Film News
If you have any time off from work can you do the Last Jedi? ¬_¬
- Stormbringer
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Re: General Film News
You should go work for those CinemaSins guys!
Between tedium and fright
Such is the song of the nether world
The hissing of rats
And the jarring chants of angels
Such is the song of the nether world
The hissing of rats
And the jarring chants of angels
Re: General Film News
Can't think of one wrote: ↑Sun Sep 23, 2018 1:48 amIf you have any time off from work can you do the Last Jedi? ¬_¬
I'll consider it <_<
Re: General Film News
I hear those guys are dicks, though I do find quite a few of their videos quite entertaining. Sometimes they just really get it wrong though. I can't remember which video I was watching the other day but despite there being a LOT wrong with the film they were reviewing, they seemed to pick some really ridiculous things to complain about which just made it seem like they hadn't been paying attention or didn't understand something quite basic. I still like their vids, but sometimes they do seem like complete bellends.
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Re: General Film News
I agree. Sometimes I am amazed at how they fail to understand perfectly obvious things, yet manage to call out things as "sins" which actually do make perfect sense in the film.
Between tedium and fright
Such is the song of the nether world
The hissing of rats
And the jarring chants of angels
Such is the song of the nether world
The hissing of rats
And the jarring chants of angels
Re: General Film News
Nope, I honestly can't find a real issue with 99% of that. Most of that list is editing issues which people either see as an issue or well....just don't. Every film ever made could be picked apart for editing/situational issues in fairness. The whole franchise is full of them, every film ever made is full of them if you have the motivation to find them
I'm not convinced with the list I'm afraid I still think it's one of the top films in the franchise
19-10-2003
12072
12072
Re: General Film News
The editing issues I could actually let slide; I hadn't really noticed them as much before this watch-through when some of it just became really obvious and so I decided to pull them out a bit more. The character issues and rubbish plot are just unforgivable though. I know it went through some heavy edits and reshoots because the first cut was a complete mess, but they still needed to fix so many issues. The three that really just kill it for me are:
Discount Solo (I still can't remember his name; was it Ando, Andor, Andar? Something that sounded like a region of Middle-Earth) has no problem in his first scene killing someone who is helping him and clearly afraid. He treats that guy like shit, and at that point I definitely expected him to turn out to be a bad guy. Yet when they're off trying to kill the guy who designed and built The Ultimate Weapon, he doesn't. Why? At this point he's never met the guy, knows he's done horrific things, and doesn't know about his attempts to sabotage it. Having a character go so against everything you've set up about them for no reason, and then never explain it at all is just really really bad story telling.
The Unnecessariness of Jin: This is again, just rubbish writing. She's completely unnecessary to the Rebel plan. They only want her so they can get to SawChe. But they KNOW the guy. She hasn't seen him since she was a child. It's like me having a disagreement with a co-worker and then to patch things up I track down someone they went to school with so that they can convince the co-worker to in the all-staff emails again. So much nonsense!
And the biggest one: Jin completely changing her mind for no reason, because otherwise the plot can't move forward. She literally has an argument with DS about how terrible the Rebels are and he's not going to change her mind just by making excuses like, "Well I didn't kill your dad after all, so I MUST be the good guy" even though she points out it was still the rebels who killed him. The very next scene with the rebels is her trying to convince them all that they need to go after the Empire. I don't know if a huge chunk of story was supposed to happen between the two and it just got cut; or even a good little heart to heart between them where he somehow convinces her that killing her father was a good idea, but as it stands, the story makes no sense at all.
So none of the characters are well crafted (with the exception of K2 who was the only one I had any form of interest in), the story makes no sense, and half the people in it don't need to be.
If a student handed this in to me as an essay, well first I'd say this wasn't what I set for the assignment because I'm not running a creative writing class, but secondly I'd say if he wanted to be a writer just ditch this whole story and start again, because it's not worth trying to salvage anything from this car crash.
Discount Solo (I still can't remember his name; was it Ando, Andor, Andar? Something that sounded like a region of Middle-Earth) has no problem in his first scene killing someone who is helping him and clearly afraid. He treats that guy like shit, and at that point I definitely expected him to turn out to be a bad guy. Yet when they're off trying to kill the guy who designed and built The Ultimate Weapon, he doesn't. Why? At this point he's never met the guy, knows he's done horrific things, and doesn't know about his attempts to sabotage it. Having a character go so against everything you've set up about them for no reason, and then never explain it at all is just really really bad story telling.
The Unnecessariness of Jin: This is again, just rubbish writing. She's completely unnecessary to the Rebel plan. They only want her so they can get to SawChe. But they KNOW the guy. She hasn't seen him since she was a child. It's like me having a disagreement with a co-worker and then to patch things up I track down someone they went to school with so that they can convince the co-worker to in the all-staff emails again. So much nonsense!
And the biggest one: Jin completely changing her mind for no reason, because otherwise the plot can't move forward. She literally has an argument with DS about how terrible the Rebels are and he's not going to change her mind just by making excuses like, "Well I didn't kill your dad after all, so I MUST be the good guy" even though she points out it was still the rebels who killed him. The very next scene with the rebels is her trying to convince them all that they need to go after the Empire. I don't know if a huge chunk of story was supposed to happen between the two and it just got cut; or even a good little heart to heart between them where he somehow convinces her that killing her father was a good idea, but as it stands, the story makes no sense at all.
So none of the characters are well crafted (with the exception of K2 who was the only one I had any form of interest in), the story makes no sense, and half the people in it don't need to be.
If a student handed this in to me as an essay, well first I'd say this wasn't what I set for the assignment because I'm not running a creative writing class, but secondly I'd say if he wanted to be a writer just ditch this whole story and start again, because it's not worth trying to salvage anything from this car crash.
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Re: General Film News
The biggest problem with Rogue One, and what writes it off completely for me, is that Kyle Katarn (you know, the guy who ACTUALLY recovered the Death Star plans in Dark Forces) isn't in in it. Rogue One is the worst cover up story ever for the actual truth that Disney are trying so hard to surpress.
Between tedium and fright
Such is the song of the nether world
The hissing of rats
And the jarring chants of angels
Such is the song of the nether world
The hissing of rats
And the jarring chants of angels
Re: General Film News
Ok there won't be any agreement on this one I think. It's pretty marmite some love it some hate it.
19-10-2003
12072
12072
Re: General Film News
Character development? At the start he shoots the informant precisely because he's terrified and is therefore a liability for such a vital piece of intel. Yes, it's a brutal act, but that's the point - it's demonstrating a side of the rebels that isn't comprised of plucky adventurers, but rather cold-blooded pragmatists. He hesitates with the assassination later because Jyn's influence has softened his hard edge somewhat. That's not bad storytelling at all.Strudel wrote: ↑Sun Sep 23, 2018 1:03 pmDiscount Solo (I still can't remember his name; was it Ando, Andor, Andar? Something that sounded like a region of Middle-Earth) has no problem in his first scene killing someone who is helping him and clearly afraid. He treats that guy like shit, and at that point I definitely expected him to turn out to be a bad guy. Yet when they're off trying to kill the guy who designed and built The Ultimate Weapon, he doesn't. Why? At this point he's never met the guy, knows he's done horrific things, and doesn't know about his attempts to sabotage it. Having a character go so against everything you've set up about them for no reason, and then never explain it at all is just really really bad story telling.
I've got to say, as someone who did a masters in creative writing, I wouldn't have found that very helpful.Strudel wrote: ↑Sun Sep 23, 2018 1:03 pmIf a student handed this in to me as an essay, well first I'd say this wasn't what I set for the assignment because I'm not running a creative writing class, but secondly I'd say if he wanted to be a writer just ditch this whole story and start again, because it's not worth trying to salvage anything from this car crash.
Re: General Film News
But there's nothing between him killing the informant and not killing dad that in any way suggests an evolution in his thinking. I totally get that his first scene is supposed to show that the rebels aren't all lovely perfect people, but up until he doesn't kill the dad his relation with Jin has been nothing but confrontational and distrustful. There's nothing in the film to suggest why he wouldn't kill the designer of the Death Star unless, as CinemaSins would put it, The Power of Boners is strong with this one. Up until the next scene there is zero chemistry or affection between Jin and Ando. They've been dismissive and distrustful throughout, so I just don't buy that she would actually have changed his mind. After the Council of Rebelrond, when she's suddenly changed her turn, he's all for following her, but it's a very stark change from complete hatred and distance to suddenly them both wanting to bang each other after the council.
I'm not saying they couldn't have made this work, just that it really didn't in the film that was finally produced.
As to the second point I was being less than 10% serious.
I'm not saying they couldn't have made this work, just that it really didn't in the film that was finally produced.
As to the second point I was being less than 10% serious.
Re: General Film News
I think as Jez says, it's a simple case of disagreement because I completely buy it. It's been a while since I've watched it, but I don't believe Jyn is making any specific argument to sway Andor - it's more that she's reminded him of his own humanity. Bear in mind that his best friend until the start of the film was an actual robot. No wonder he'd become a cold-hearted bastard who has no problem with murdering people to protect the interests of the Alliance. I also don't think there's any boner-interest involved in the relationship, or at least I can't recall any textual evidence for that. They bicker and argue and clearly don't get along until he comes to the point of taking the shot and he realises he's about to murder an innocent girl's father. I honestly don't believe he'd have hesitated had he not met Jyn, and that in itself is enough to sell the moment of character development to me.Strudel wrote: ↑Tue Sep 25, 2018 2:34 pmBut there's nothing between him killing the informant and not killing dad that in any way suggests an evolution in his thinking. I totally get that his first scene is supposed to show that the rebels aren't all lovely perfect people, but up until he doesn't kill the dad his relation with Jin has been nothing but confrontational and distrustful. There's nothing in the film to suggest why he wouldn't kill the designer of the Death Star unless, as CinemaSins would put it, The Power of Boners is strong with this one. Up until the next scene there is zero chemistry or affection between Jin and Ando. They've been dismissive and distrustful throughout, so I just don't buy that she would actually have changed his mind. After the Council of Rebelrond, when she's suddenly changed her turn, he's all for following her, but it's a very stark change from complete hatred and distance to suddenly them both wanting to bang each other after the council.